Mamiya RZ 67: My Favorite Camera of All Time
When it comes to film photography, the Mamiya RZ 67 holds a special place in my heart. It’s not just a tool—it’s a camera that slows me down, helps me focus, and makes every frame feel intentional. Here’s why this camera is my all-time favorite:
Incredible Quality: The 6×7 negatives produce stunning detail, and the lenses are absolutely top-notch. One of the things I love most is how close I can get to my subject with the lens—there’s something intimate and powerful about filling the frame like that. Additionally, the ability to switch from portrait to landscape just by rotating the back adds incredible versatility.
Feel & Viewfinder: The camera feels amazing in hand, and the viewfinder is a joy to look through. It’s like peering into a window that perfectly frames your shot. As a result, composing becomes a meditative part of the process.
The Only Downside: It doesn’t have autofocus, which can be a challenge in fast-paced situations. However, I’ve grown completely used to it. For slower, more deliberate shooting—like portraits or fine art—it’s perfect. And with only 10 shots per roll, each one feels valuable.
Final Thoughts: Overall, the Mamiya RZ 67 is my go-to for anything that requires a bit more time and precision. It’s truly unmatched in quality and feel.
Here are some black and white images shot on the Mamiya RZ 67:
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